BookStudyDigest

Sunday, 19 November 2023

[New post] Filling Stitches Sampler – Flat Stitch and Pekinese Stitch

Site logo image underatopazsky posted: " Last week's addition to the Filling Stitch Sampler project was a new stitch to me - Flat Stitch. It one I found in my 1950s copy of Mary Thomas and I liked that it looks a bit like satin stitch, but because it's worked in two stages, like fishbone stitch" Under A Topaz Sky

Filling Stitches Sampler – Flat Stitch and Pekinese Stitch

underatopazsky

Nov 19

Last week's addition to the Filling Stitch Sampler project was a new stitch to me - Flat Stitch. It one I found in my 1950s copy of Mary Thomas and I liked that it looks a bit like satin stitch, but because it's worked in two stages, like fishbone stitch, you can cover larger areas. I split up my leaf into sections and hoped that the subtle line you get where the two sections overlap would look like veins.

The stitch is a shallow v-shape and the example shown in Mary Thomas is a heart, which of course works perfectly as it's a shape with a v-shaped top. However, when you are trying to work it in a space with a flat or worse, pointed top, it needs a bit of adjusting.

I found that for my leaf sections it helped to draw a channel down the middle of the shape first and then make a single foundation stitch of a straight stitch across the width of the channel. Then I could add in the slanted stitches, working alternately from the left of the foundation stitch to just underneath the foundation stitch on the right-hand line of the channel and again from the right. A pointed start, we found in the group, can be worked by starting in the same way as fishbone stitch, with a vertical stitch in the top centre of the channel and then adding shallow slanted stitches either side in the same way.

Next week is Pekinese Stitch, a stitch I have a very soft spot for. It was one of the first stitches I taught myself as a child from my Mum's copy of Mary Thomas and I loved how fancy it made my lines! It wasn't until I saw this early 20th century Chinese motif at Gawthorpe Hall that I realised how effective it looks as a filling stitch and how interesting the loopy textures make it.

I worked mine in a paler cream to mid brown variegated thread for the back stitch base and threaded it with another variegated thread in darker browns. I chose to stop the threaded part of the stitch at the end of the lines because I liked the little triangular green spaces it left, but if you continue threading into the back stitch at the start of the next row, it will fill the spaces in.

Time to be planning the Spring session for In The Stitch Zone. Is it just me, or is everything coming round a lot more quickly these days?

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