BookStudyDigest

Monday, 16 February 2026

A small, limited batch - and a few lines that stayed with me

"Meaningful work is the sort where we place our entire selves, squarely and resolutely, and thereby find ourselves."
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Recently, I came across these lines:

"Picking meaningful work involves seeing one's work as self-expressive. Meaningful work is the sort where we place our entire selves, squarely and resolutely, and thereby find ourselves.

Work at its best holds a transcendent power. It is the ability to leave something of note behind, to elevate us and make us better people, to force us to 'be in the moment' in ways that leisure typically does not, to evaluate the meaning of our lives with unprecedented clarity." - Thoreau on Making a Living

There is something steady and comforting in that thought — that the very act of work is how we cultivate and express ourselves. 

For me, Zen Scribbles began as a small act of choosing to do fulfilling work — making something by hand, slowly, thoughtfully. Choosing reclaimed materials that age well. Choosing to do something analog in a digital world.

This month, I've made a small batch of journals by hand, using new materials.

One is covered with reclaimed Italian nubuck leather, super soft to touch and feel. The other is covered in reclaimed denim, complete with frayed edges. I found these materials, thought I'd experiment with how they'd look, and like the results! I won't be restocking these though as I don't have much of these materials .

They are simple. Made to hold whatever meaningful work you're called to do next.

If one feels right for you, you can view them below.

And if not, perhaps take a moment today to write down a single sentence:

What would it look like to place your whole self into your work?

Warmly,
Sonali
Founder, Zen Scribbles

Copyright © 2026 Zen Scribbles, All rights reserved.
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Monday, 9 February 2026

The Consecrated Eminence: Side Effects

The Consecrated Eminence

Side Effects

When I was thinking about what I wanted to write for this post, it occurred to me to talk about my interaction with the collections we have here, outside of my official role as a software developer.  In my role here, I'm responsible for the images and metadata getting ingested into our digital asset management system and also keeping that website going day to day.   Thinking about this work made me ask myself the question: how has working here changed me? Or, better yet, what are the side effects of this position on my interests? Generally side effects are unwanted […]
by admin on January 28, 2019

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The Consecrated Eminence: On Gleaning the College’s History Through Documents

The Consecrated Eminence

On Gleaning the College's History Through Documents

Guest post by Zehra Madhavan '20 When I started working at Digital Collections as a Student Assistant during the spring semester of my freshman year, my understanding of Amherst College's history was limited to facts I had read about in pamphlets and bits and pieces of information I had picked up in various lectures and speeches; little did I know that I would soon be encountering countless documents and archival items that would shape not only the way I see the college but also the way I see my place in this community. The project I have been working on […]
by Sarah Walden McGowan on December 5, 2018

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The Consecrated Eminence: No college is an island: Amherst College chooses Islandora

The Consecrated Eminence

No college is an island: Amherst College chooses Islandora

Behind the letters, images, photographs, and other treasures on display in Amherst College Digital Collections is software. To the public, this software is largely invisible, with our user interface showcasing the discovery and display of the digital objects from Archives and Special Collections. Our underlying software infrastructure requires ongoing maintenance, upkeep, and upgrade as technology changes and our needs change. I'm here today to share a choice we've made for the future of our digital collections software, which is that we are going to start using Islandora in our software stack. This month we are beginning the process to migrate […]
by admin on October 12, 2018

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The Consecrated Eminence: Charting the Divine Plan: Orra White Hitchcock in the World

The Consecrated Eminence

Charting the Divine Plan: Orra White Hitchcock in the World

One of the things we often say about the archival materials we are digitizing and adding to ACDC is that we never know what researchers will do with our materials once we release them into the world wide web. The Papers of Edward and Orra White Hitchcock and Orra White Hitchcock's Classroom Drawings were among the earliest collections we made available through ACDC in late 2012/early 2013. It is amazing to see just how far Orra White Hitchcock's works have traveled since then, both digitally and physically. The news of the moment is that the largest exhibition ever mounted of […]
by Mike Kelly on July 12, 2018

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The Consecrated Eminence: A Millennial in the Archives

The Consecrated Eminence

A Millennial in the Archives

Guest post by Avery Farmer '20 When I visited the British Royal Observatory in Greenwich during a vacation in London this year, I was captivated by a series of rooms dedicated to a history of time. Not time, the grand spiritual and scientific setting of our own existence, but humans' attempts in the last 500 years to measure that constant force. On display were indecipherable jumbles of pendulums, springs, and gears, exposed or half-concealed by elegant metal dials, each new model claiming some slight advantage over the last. The placards described innovations like a redesigned spring that made an early […]
by Sarah Walden McGowan on May 23, 2018

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The Consecrated Eminence: Building Collections and Connections

The Consecrated Eminence

Building Collections and Connections

The work of digitizing archival and special collections material is not a "traditional" library activity. Times have changed in libraries. Change is a constant in our work - perhaps that is what hasn't changed. Change is in the evolving materials that cross the desk of our archivists and metadata librarians as they organize and describe what is before them. Change is represented in the digital files with endless strings of names and numbers that fill the hard drives in our digital studio and compose the content of our digital repository servers. Change is new, too, in that we no longer […]
by admin on March 27, 2018

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The Consecrated Eminence: Bring your own viewer?

The Consecrated Eminence

Bring your own viewer?

Lately I've been focusing on replacing/upgrading our zoomable image viewer in our digital repository.  The current version of the tool lacks a few features which folks have been asking for - one of which is rotation.  In an instance where you have a manuscript that has writing in two directions, being able to rotate the image is a highly desired feature. Having heard about this set of standards for image viewing, I started researching the International Image Interoperability Framework (IIIF).  I'll share a little bit of my learning with you here. Honestly, looking at IIIF made me start to dream.  We […]
by admin on January 25, 2018

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The Consecrated Eminence: Welcome to the Bicentennial

The Consecrated Eminence

Welcome to the Bicentennial

At the Amherst College Library, we've been preparing for the College's bicentennial in 2020-21 for several years. We've prioritized digitizing materials like the student newspapers, the yearbooks, and the catalogs because they contain a rich combination of data and anecdotes about the College, its students, its faculty, and sometimes its staff for a wide swath of the institution's almost-200 year history. We're aware that as the bicentennial approaches, many researchers, alumni, and other interested parties will want to dig in to the College's history, and having these materials online gives them faster and easier access to that history. It also […]
by Sarah Walden McGowan on December 13, 2017

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The Consecrated Eminence: Repositories, repair, and system migrations

The Consecrated Eminence

Repositories, repair, and system migrations

Innovation and disposability... Technology innovation is a given in our fast-moving culture of social media and disposable devices, yet innovation isn't all that drives the technology infrastructure underlying the systems we use everyday. In the library, we us many online resources driven by databases that organize, track, and deliver the content we need, when we need it. In some ways, a database is a lot like a library - books are on shelves, and we have a catalog that tells us where to find those books, and when someone comes looking for one we can help them find it. At […]
by admin on November 29, 2017

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The Consecrated Eminence: Welcome - what are we doing here?

The Consecrated Eminence

Welcome – what are we doing here?

In an effort to document and organize our work around building digital collections at Amherst College, this space will provide an avenue for sharing our work and connecting with the community interested in this work. This page includes background information on our process in building digital collections, where we will include technical and workflow information about how we go about making decisions in our work. This page will also include overviews of the various projects we are working on, with links to other relevant information where needed. We will also post entries here to document the work process, our thoughts […]
by admin on November 8, 2017

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Thursday, 6 November 2025

The Consecrated Eminence: Coming Home to the Archives: New Audiovisual Materials Available Through Amherst College Digital Collections

The Consecrated Eminence

Coming Home to the Archives: New Audiovisual Materials Available Through Amherst College Digital Collections

Homecoming is all about coming back, reconnecting, and remembering. What better way to step into the past than with never-before-seen films, tapes, and recordings from Archives & Special Collections? Just in time for Homecoming weekend, we've added a fresh set of audiovisual treasures to Amherst College Digital Collections (ACDC)! Some are joining existing collections you may already know, while others are launching brand-new ACDC collections that will continue to grow over time. Together, they capture the spirit of campus life, from the quirky to the heartfelt, and offer alumni a chance to relieve moments that shaped their time here. Why […]
by Chelsea Wells on November 6, 2025

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Wednesday, 27 August 2025

The Consecrated Eminence: NOMECH: Animality and Indigeneity in American Automotive Culture

The Consecrated Eminence

NOMECH: Animality and Indigeneity in American Automotive Culture

[Daniel Bowman of the University of Stavanger in Norway visited the Native American Literature collection in the Archives & Special Collections in the summer of 2024 and again in 2025. He selected these items and drafted labels for a small display in Frost Library during the summer of 2025; the content of that display is reproduced here. All of the materials included in this exhibit are available for use in the Archives & Special Collections.] The NOMECH project examines fiction by Indigenous American authors for literary representations of animals, automobiles, and the natural environment. The project develops a novel approach […]
by Mike Kelly on August 27, 2025

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Wednesday, 6 August 2025

The Consecrated Eminence: 80 Years Later: Remembering Hiroshima and Nagasaki August 6 & 9, 1945

The Consecrated Eminence

80 Years Later: Remembering Hiroshima and Nagasaki August 6 & 9, 1945

In our era of instantaneous world-wide news coverage, it is difficult to comprehend that it took many years for detailed accounts and images of the August 1945 nuclear bombings of Hiroshima and Nagasaki to reach a global audience. During the Allied occupation of Japan from the end of the war until 1952, reporting on the effects of the atomic bomb was strictly prohibited. A groundbreaking piece in The New Yorker in 1946 provided the first detailed coverage in the American press. "The Hiroshima Panels" -- a series of paintings begun by Japanese artists Iri and Toshi Maruki in 1950 -- […]
by Mike Kelly on August 6, 2025

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Monday, 7 April 2025

The Consecrated Eminence: Reflections on the Objects Collection

The Consecrated Eminence

Reflections on the Objects Collection

Guest post by Kate Smith '25 For the past few months, I've been tackling the Archives and Special Collections' objects collection. While historical objects might not immediately come to mind when thinking about an archive, A&SC's collection is vast. Spanning from a Civil War-era decorative sword to keychains celebrating the official opening of Gooding Field, A&SC's collection has it all. The collection hasn't been reviewed in quite a while, so my job is to sort through every object we have in the stacks, assess its condition, make a note in a 1500+ row spreadsheet, and confirm we hold a physical […]
by Mariah Leavitt on April 7, 2025

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Sunday, 29 September 2024

Reading the Rainbow: The Beloved Girls by Harriet Evans

Welcome to the ninth of my 'Reading the Rainbow' posts, in which I take the books I received in my 2023 book advent - each cover representing a different colour - and review them for you! September is BLUE and the book is The Beloved Girls by Harr…
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Reading the Rainbow: The Beloved Girls by Harriet Evans

By Steph Warren - Bookshine blog on 30 Sep 2024

Welcome to the ninth of my 'Reading the Rainbow' posts, in which I take the books I received in my 2023 book advent - each cover representing a different colour - and review them for you!

September is BLUE and the book is The Beloved Girls by Harriet Evans.

Read on to find out more...

Blurb: Two young girls. One hot, long, sultry summer. And a rambling old English manor house where nothing is as it seems . . .

A successful London barrister, Catherine Christophe, goes missing the day before her wedding anniversary. The clue to her disappearance, it seems, lies buried thirty years in the past.

Somerset, 1989. Janey Lestrange arrives to stay for the summer at the grand old house of the Hunter family. But something is wrong behind the beautiful façades of Vanes. Janey's childhood friend, Kitty Hunter, her brother and their eccentric parents - once so welcoming - do not seem to want her there.
It is only as the night of an ancient and mysterious family ritual looms closer that Janey comes to realise they need her . . .

Decades later, the tragic events of that unforgettable summer still cast the darkest shadow. Can the truth about what happened that night ever be brought into the light?

Review: I've previously read and reviewed The Stargazers by this author, but had already purchased this book first, based solely on the cover!

Much like that previous read, this book is heavily and oppressively atmospheric, weighted and scented with dark secrets from the characters' pasts that are causing traumatic impact on their adult lives.

Again, the story is structured so we begin with modern-day Catherine Christophe, jumping at shadows and fighting off panic attacks, before delving back into the childhood dramas between practically-orphaned Jane Lestrange and the kind-of-cousins-but-not-by-blood Hunter family that she is sent to stay with. Then further back, to Jane's father and how he met Sylvia - celebrated fabric designer and shellshocked mother of the Hunter siblings - as a distressed child trapped at the centre of a bitter custody battle.

Darkness and trauma slowly unpeels to reveal even darker and more traumatic roots beneath, while angry bees hover ominously over characters' every move and a creepily-adapted folk song provides an almost horror-movie backing track to what is always threatening... the sting hidden beneath the slow, cloyingly sweet honey disguise.

That all said, I admit that I made two predictions within the first few pages of meeting Catherine in 2018 and both proved to be accurate once the tangled threads were finally laid out straight. I think you can get a feel for recurring themes when reading a number of books that have a similar style and theme, and I have a few literarily haunting, coming-of-age, family-secret stories under my belt at this point!

But regardless of the final destination, I thoroughly enjoyed the journey the author took me on to get there and the capturing of taut, twisted family dynamics and the struggle to break from damaging cycles of tradition and history.

So, I will continue to read this author with interest (and admire her stunning book covers!).

'Here,' said Kitty, quietly. She held out her hand, a tight fist. 'It's for you. Please will you come back.' It wasn't a question.
Slowly, she unfurled her hand. There lay a soft, dark-gold, dead honeybee. Its black wings were folded up, its stripes soft, the black segmented legs in angular shapes. The sting was slightly bent.
She tipped it into my open palm. 'Don't worry, it won't sting.' Her small voice hissed in my ear. 'It just means now that when you see one, it'll remind you of here. And of here. So you'll never forget us.'

- Harriet Evans, The Beloved Girls

Purchase link: The Beloved Girls on Amazon

About the author:

Hello there! I'm actually two authors, the first is Harriet Evans the author of thirteen novels, two of them are Richard and Judy book club selections, several have been Top Ten Bestsellers, one won the Good Housekeeping Book of the year prize, but the accolade I'm most proud of is the lady on Twitter who wrote last month that she thought my books were real 'knicker grippers'. I suppose that's all you can hope for isn't it?! But I'm also, as of June 2024, Harriet F Townson, author of 1930s detective fiction! Please check out D is for Death which is under my new separate identity. It's very exciting, having two identities, I can tell you.

I have written since I was a child, first on books I stapled together with paper then notebooks then a laptop that crashed and lost all of the novel I was writing in secret back in 2002. (So now I back my work up properly). Inbetween those I did Classical Studies at university which means I know all about Greek Gods and can win pub quizzes, worked in publishing as a very bad secretary in the 90s in London, eg I left Hugh Laurie waiting in reception for 20 mins & once messed up making a cup of tea for Harry Enfield, but I was also the Penguin Books fire marshal for one glorious year, had my photo in the back of a Jamie Oliver cookbook and shook hands with Lauren Bacall. For several years I was an editor working with lots of lovely authors like Penny Vincenzi, Eva Rice, Veronica Henry, Marian Keyes, Jane Green and Adele Parks but I always wanted to write. My first novel, Going Home, came out in 2005 and my latest, The Stargazers, was published in paperback in 2024. In 2019 I moved out of London, to Bath, city of the greatest lady novelist of all, Jane Austen. I love living here so much. (Also I love the fact you just randomly walk past people dressed in bonnets all the time and I'm never sure if they're extras from Bridgerton or just loving Regency life.) I have two daughters and live within walking distance of a Marks and Spencer, I'm very happy.

My first novels were more about relationships and people in London and had more chicklit themes and the later ones are darker and more about families and secrets and houses and the past. I have so many stories in my head all the time and I adore knowing that my job means that I can carry on telling them.

I am currently writing a trilogy about a British family from 1950s to the present day, as Harriet Evans, but I am also thrilled to have a second identity, from June 2024, as Harriet F Townson, author of mystery novels. D IS FOR DEATH is out on 6th June and is set in London in 1935. It's about a young woman called Dora Wildwood who escapes a terrible engagement and runs away to London, where she finds a body in the London Library. It is enormous fun and a departure from my other books but because I write them under another name Amazon cannot link them, but you can! so please let me know if you buy one. In the meantime, love and thanks and happy reading, Harrie xx

Website: https://www.harriet-evans.com/
Instagram: https://www.instagram.com/harrietevansauthor
X/Twitter: https://x.com/harrietevans
Facebook: https://www.facebook.com/harrietevansbooks

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